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‘Burial’ (Site Singing), for voice and treated field-recordings
Since 2014 I have been making solo field trips to lesser-visited heritage sites in the South West, and working directly with the acoustics of each site to create voice-based sound works as a form of alternative, experiential and sensory interpretation of each site. Site Singing has an ongoing project blog with free downloadable sound-works, photos, texts and drawings being added over time.
I am now in the process of developing this solo body of work into collaborative live works with other singers, to create spatial and site-relational vocal performances which combine live and recorded / treated voices. Participation in the Bristol Hum will be another exciting step on this sonic journey.